Physical Address
304 North Cardinal St.
Dorchester Center, MA 02124
Physical Address
304 North Cardinal St.
Dorchester Center, MA 02124
Contents
Jump in that (huh, huh) summon that bitch
Jump in that (huh, huh) jump in that fire (huh)
Jump in that bitch, hittin’ that fire
Jump in that whip, thumbin’ that bitch
Cum in that bitch (ho), drummin’ that (huh, huh)
Drummin’ that bitch
Choppa doin’ circles, it’s a Bird, Bird
Take him to the party, he’s a nerd (pop out)
I seen niggas hittin’ corners in the motherfuckin’ ‘burbs, huh (pop out)
Done politickin’ with the competition, what’s the word? (Yeah)
Put that on my mama, nigga, eight in the process
Nigga tryna tippy-toe through the progress
Tongue-tied when the truth is an object
What’s the pros and the cons of this next check?
Wasn’t nobody ’round, I was independent
In the ’90s, sittin’ bum with the windows tinted
Heard a bum got a strap in the party
Who the fuck let this- in the party?
Beat ’em up, beat ’em up, beat ’em up, beat ’em up
I was seein’ double in the projects
Mad at myself when I put it to the side
Mama had to cater for the coupe
That we rode after school on the way to Popeyes
And niggas wanna play both sides
It’s a red dot, don’t get on the wrong red eye
It’s a headshot, Damien Kane, woo them guys
Fuck around and bury two of them guys
I’m OD in Paris, I’m OD in France
I thought that I told you, I need the advance
Put down your IG and look through my lens
A million to grandma, who did I offend?
The girl of your dreams to me is a fan
I netted ten million and did a lil’ dance
I’m fuckin’ the world, I unzip my pants
My uncle G told me that I had a chance
So then I popped out and did it again
And did it again, and did it again
I cannot respect them, where did he begin?
Advice from the council, let nobody in
Been swervin’ through rumors, avoidin’ the trends
And duckin’ the hoes, I’m duckin’ the loonies that come with the shows
I’m grateful to Man-Man, he opened up doors
A bunk on the tour bus to come and compose
I reach to the stars on my tippy toes
This greatest success where most niggas fold
I tell you my past, that shit don’t get old
But how could you ask, like I don’t be writin’ my raps
These critics got everyone tapped
You gotta relax, the city where nobody sleep
Just tap in and ask where I’m at, ho
Smoking on your top five tonight, tonight
Yeah, I’m smokin’ on your, what’s her name, tonight, tonight
Smokin’ on you, shores, ain’t two-nine, yeah, two
I am the omega, pgLang, Rollie gang, SIE
Don’t you address me unless it’s with four letters
I thought you’d known better
I been duckin’ the pandemic, I been- social gimmicks
I been duckin’ the overnight activists, yeah
I’m not a trending topic, I’m a-
“Hold on, y’all niggas playin’ with me, man”
I am the omega, pgLang, Rollie gang, SIE
Don’t you address me unless it’s with four letters
Bitch, I thought you’d known better
I been duckin’ the pandemic, I been duckin’ the social gimmicks
I been duckin’ the overnight activists, yeah
I’m not a trending topic, I’m a prophet
I answer to Metatron and Gabriel
Bitch, looking for a better me
I am a legacy, I come from the seventy
The Al Green offspring, guns and the melody
The big shot, wrist on cryotherapy
Soon as I press that button
Nigga better get right like the ambulance’s comin’
Us two on a light, Keem been through nothin’
Dave Free, got at least one B in the oven
I’m trippin’, I’m juggin’, my mental is amazing, brother
Pop off, only on occasions, brother
Rich nigga, mama know I made it, brother
Go figure, never caught cases, brother
Face it, brother, gracious brother
New flows comin’, be patient, brother
Show my ass and take y’all to class
I can multitask like Megan, brother
2021, I ain’t takin’ no prisoner
Last year, y’all fucked up all the listener
Who went platinum? I call that a visitor
Who the fuck backin’ them? All been falsified
The fact means this a vaccine, and the game need me to survive
The Elohim, the rebirth
Before you get to the Father, you gotta holla at me first, bitch
Smokin’ on top fives
Motherfuck that album, fuck that single
Burn that hard drive (burn that shit)
Ain’t nobody safe when I come up killin’
Everybody that’s outside (who you with?)
Yeah, Kanye changed his life
But me, I’m still an old school Gemini (lil’ bitch)
Let me jump in this bitch
Let me jump in this bitch
Two phones, but I only bring one in this bitch
One daughter, but they all my sons in this bitch
No hoes, ain’t shit gettin’ done in this bitch
I’m scary, I got a gun in this bitch
Smokin’ on top fives
Stop playin’, I’m that guy
Number two DMing my bitch
That’s cool, I don’t ask why
Artists |
Kendrick Lamar, Baby Keem |
Release Date |
2021 |
Album |
The Melodic Blue |
Genre |
Alternative/Indie, Hip-Hop/Rap |
Available on |
Spotify, YouTube Music, Apple Music, JioSaavn |
Baby Keem, whose real name is Hykeem Jamaal Carter Jr., is a young and talented rapper and songwriter who has been making waves in the world of hip-hop. Born on October 22, 2000, in Las Vegas, Nevada, Keem represents a new generation of artists who are redefining the genre.
One of the distinctive features of Baby Keem’s music is his ability to seamlessly blend various styles and influences. His tracks often incorporate elements of trap, rap, and experimental sounds, creating a unique and captivating sonic experience. This versatility in his music has helped him appeal to a diverse audience, from hardcore rap enthusiasts to fans of more eclectic sounds.
Baby Keem gained significant recognition with his mixtape “Die for My Bitch” in 2019, which showcased his lyrical prowess and creativity. The project earned critical acclaim and laid the foundation for his growing fan base. Tracks like “Orange Soda” and “Moshpit” became anthems among young listeners and established Keem as a force to be reckoned with in the industry.
Centralalive: Where you immerse yourself in the groove, offering up-to-the-minute song lyrics and profound musical perspectives, ensuring you seamlessly sync with the rhythms of your beloved tracks.
Kendrick Lamar, born on June 17, 1987, in Compton, California, is undeniably one of the most influential and revered figures in the world of hip-hop. With his thought-provoking lyrics, innovative storytelling, and social commentary, he has left an indelible mark on the music industry and beyond.
One of Kendrick Lamar’s defining characteristics as an artist is his ability to use his music as a platform for addressing complex societal issues. His albums often serve as insightful narratives that tackle themes such as racial inequality, violence, and the African-American experience in America. “To Pimp a Butterfly” and “good kid, m.A.A.d city” are prime examples of his storytelling prowess, where he delves deep into personal and societal struggles, earning him critical acclaim and a dedicated fan base.
Lamar’s lyrical prowess is often celebrated for its depth and complexity. He weaves intricate wordplay and metaphors into his verses, challenging listeners to dissect and analyze his songs on multiple levels. This poetic approach to rap has garnered him comparisons to literary giants and positioned him as a modern-day poet of the hip-hop genre.
Kendrick Lamar embarked on his music career at the age of 16 in 2003, releasing the mixtape “Youngest Head Nigga in Charge” under the pseudonym K.Dot, which gained him recognition locally.
In 2004, he signed with Top Dog Entertainment and continued to release a series of mixtapes while making guest appearances on tracks by other rap artists.
Lamar’s notable albums include “good kid, m.A.A.d city” in 2012, “To Pimp a Butterfly” in 2015, and “DAMN.”
His albums have achieved both commercial success and critical acclaim, with “To Pimp a Butterfly” winning a Grammy for Best Rap Album and receiving a nomination for Album of the Year. “DAMN” also earned him a Grammy and a Pulitzer Prize.
Kendrick Lamar has performed alongside other hip-hop stars during the Super Bowl halftime show, showcasing his influence and prominence in the industry.
Additionally, he released the official soundtrack for the film “Black Panther,” further cementing his legacy as a multifaceted and highly influential artist in the world of music and culture.
TRENDING
Disclaimer: The above information is for general informational purposes only. All information on the Site is provided in good faith, however we make no representation or warranty of any kind, express or implied, regarding the accuracy, adequacy, validity, reliability, availability or completeness of any information on the Site.