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Lagbaja, the Nigerian afrobeat musician and singer-songwriter, is alive. There is no credible evidence or reports confirming his death. Lagbaja, whose real name is Bisinuade Ologunde, gained fame for his unique style, characterized by a mask concealing his identity, and his advocacy for social reform through music.
Born in Lagos in 1960, Lagbaja has been active in the music industry since the 1970s, and his contributions have earned him recognition, including the 2006 Channel O Music Video Award for Best Male Video.And there is no indication that Lagbaja is dead.
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Lagbaja, whose real name is Bisinuade Ologunde, is a Nigerian afrobeat musician, singer-songwriter, and percussionist born in Lagos in 1960. He is widely known as Lágbájá, a name signifying a person whose identity is intentionally concealed in Yoruba tradition. Lagbaja is recognized for his distinctive use of a mask that covers his face, emphasizing his commitment to social reform through music.
Beginning his musical career in the early ’90s, he formed his first band in 1991, showcasing his talent as a self-taught saxophonist. Lagbaja’s music often addresses political honesty, brotherhood, and unity. His impact on the afrobeat genre and dedication to cultural expression have earned him acclaim, including the 2006 Channel O Music Video Award for Best Male Video.
Full Name |
Bisinuade Ologunde |
Known As |
Lágbájá |
Birthplace |
Lagos, Nigeria |
Birth Year |
1960 |
Profession |
Afrobeat Musician, Singer-Songwriter, Percussionist, Founder of Opatradikoncept |
Instruments |
Saxophone, Percussion, Vocals |
Lagbaja, born Bisinuade Ologunde in Lagos, Nigeria, has had a remarkable career as an Afrobeat musician, singer-songwriter, and percussionist. Widely known by his stage name Lágbájá, which means “Jane Doe” or “John Doe” in Yoruba, Lagbaja has been active in the music scene since 1975. His unique musical philosophy centers around advocating for social reform through his art.
What sets Lagbaja apart is his signature use of a mask that conceals his identity, adding an intriguing layer to his persona. In the early ’90s, he adopted the name Lágbájá and reflected it in his stage attire, featuring a slitted textile and rubber mask, symbolizing the ‘common man’ in line with Yoruba carnival traditions.Lagbaja formed his first small band in 1991 and taught himself to play the saxophone.
With a distinctive style blending Afrobeat with a high quotient of percussion instruments, including congas and talking drums, Lagbaja released notable albums like “We Before Me” in 2000. His music often carries messages of honesty, political awareness, brotherhood, and unity. Lagbaja’s influence extends beyond his music, as he has earned accolades such as the 2006 Channel O Music Video Award for Best Male Video for his impactful work on “Never Far Away.”
Year |
Album |
1993 |
Ikira |
1993 |
Lagbaja |
1996 |
Cest Un African Thing |
2000 |
ME |
2000 |
WE |
2000 |
We and Me Part II |
2000 |
ABAMI |
2005 |
Africano… the mother of groove |
2009 |
Paradise |
2009 |
Sharp Sharp |
2012 |
200 Million Mumu (The Bitter Truth) |
Lagbaja, the Nigerian afrobeat musician known for his distinctive use of a mask, has accumulated an estimated net worth of $2 million. This talented singer-songwriter and percussionist, whose real name is Bisade Ologunde, was born in 1960 in Lagos State. Lagbaja’s musical journey began in the early ’90s, and he adopted the name Lágbájá, meaning “Jane Doe” or “John Doe” in Yoruba, reflecting his intentional concealment of identity.
Despite keeping his personal life private, Lagbaja’s impactful career, characterized by social commentary through his music, has contributed significantly to his financial success. His net worth stands as a testament to his enduring influence and popularity in the music industry.
Lagbaja covered his face as a distinctive part of his stage persona. Adopting the name Lágbájá, which means “Jane Doe” or “John Doe” in Yoruba, Lagbaja intentionally concealed his identity to symbolize the anonymity of the common person.
His choice of a slitted textile and rubber mask became a significant feature of his performances, aligning with Yoruba carnival traditions and reflecting his belief in social reform through music. Lagbaja aimed to emphasize the idea that his music spoke for the everyday individual, promoting unity and brotherhood.
While he maintained this unique visual element throughout his career, the artist’s commitment to using his platform for social commentary and advocating for positive change remained the primary motivation behind covering his face during performances.
Lagbaja is currently based in Manhattan, New York, USA. Despite his Nigerian roots, Lagbaja has chosen to reside in Manhattan, showcasing a global presence in his personal and professional life. His decision to live in New York could be influenced by various factors, including opportunities in the international music scene or personal preferences for a particular lifestyle.
While he has maintained a private profile regarding his day-to-day life, Lagbaja’s choice of residence suggests an ongoing engagement with the diverse and vibrant music and cultural scene in the heart of Manhattan.
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