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Paul Haggis is the author and director of the romance drama Third Person. On June 20, 2014, it was released in theaters following its 2013 Toronto Film Festival premiere. Three intertwined love stories that occur in Paris, New York, and Rome/Taranto are depicted in the movie, according to reports from Cine Dope. Paul Haggis is recognised for producing critically acclaimed works like Million Dollar Baby (2004) and Crash (2005). The movie’s conclusion, nevertheless, confused many viewers, thus it didn’t become as well-known as Higgis’ earlier efforts.
Paris: Anna betrays Michael by looking at another man behind his back in Paris. It turns out that she has a violent connection with her father, who is this man. By mentioning Anna and her father in his most recent book without asking Anna’s permission, Michael exacts retribution.
Rome: The fact that Scott didn’t intervene to save his daughter from drowning when she was swimming is a factor in her demise. He desperately wants to assist Monika because his wife left him for a variety of reasons. Despite his previous failures to do so, he manages to acquire the money for her, and the three of them drive out in a white car, establishing the veracity of Monika’s daughter.
New York: The most crucial information in this paragraph is that when Julia goes to Rick’s place, she tries to explain her position, but he rejects her and almost kicks her out. As Rick finally arrives at the door, Julia has already departed. He then leaves Julia a note at her apartment inviting her to stay the night with their son the following day, but she misses it since she has already left. This illustrates how complicated the matter is and how it affects her.
Reference Source- Cine Dope
The relationship between Scott and Julia, played by Maria Bello and Michael Carraway, is examined in the film The Four Agreements by Carraway. It is hinted that the stories Michael types out at his desk in the beginning and end of the film are his way of explaining what happened in his own life and dealing with the repercussions of his decisions. Also, it is revealed that Michael is the parent who drowned a child, with the exception of the fact that he had a son named Robbie and had to leave to answer a call from his mistress.
It is argued that the white roses from Anna’s bedroom serve as a bridge between the two tales. The characters of Julian, Scott, and Monika, as well as Anna’s outfit, the white roses, and Scott and Monika’s automobile, are used as symbols in Michael’s book The Four Agreements to investigate the lack of trust between his parents, according to reports from Cine Dope. Michael is left to come to terms with what has transpired and express his support for himself as these characters progressively fade away and vanish.
Three interconnected love stories are followed by the movie in Paris, New York, and Rome/Taranto. Paris: Michael, a writer who recently divorced Elaine, is visited by Anna, his lover. Former soap opera star turned hotel maid Julia is in her ex-husband Rick’s custody after being accused of abusing her little kid. Scott, an American businessman visiting Italy, falls in love with Monika, a Romani woman, in Romeo and Taranto. Attempting to rescue Monika’s daughter, who has been abducted by an Italian criminal in Taranto city and is being held for ransom, finds Scott inexorably entangled in a plan, according to reports from IMDb. When Scott and the viewer debate whether or not this is a set up, tensions are high.
Paul Haggis had done it once more. Certainly for me, he did. It’s obvious from the low rating that it hasn’t had the same impact on everyone here. The intricate details, linkages, and of course the resolution made the movie one that I really enjoyed. There may be a better way to describe the conclusion, but one thing is for certain: The film merits more than one viewing. You can view it through new eyes to gain a fresh perspective. There is also the typical Haggis dialogue of pointing in one direction, mocking it, by almost veering off course, before charging headlong into the first conclusion you reached, according to reports from IMDb. That’s something Haggis can do very well, whether or not you like it. He also provides the actors with everything they need to pull it off. It’s a terrific movie with little clues scattered throughout that, in the end, make sense. That is a satisfying (watching) experience even if you don’t understand everything the first time.
Cast |
Character |
Liam Neeson |
Michael |
Olivia Wilde |
Anna |
Adrien Brody |
Sean |
James Franco |
Rick |
Mila Kunis |
Julia |
Moran Atias |
Monica |
Kim Basinger |
Elaine |
Maria Bello |
Theresa |
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